Wednesday, November 11, 2009

Ben-Hur part 3

(* Ben Hur artwork © Look and Learn Ltd. Reprinted by permission.)

Tuesday, November 10, 2009

Ben-Hur part 2

(* Ben Hur artwork © Look and Learn Ltd. Reprinted by permission.)

Monday, November 09, 2009

Ben-Hur part 1

Something a little more literary for a change. Ben-Hur is based on the novel by Lew Wallace, first published in 1880. I'm going to point you to Wikipedia for more information on the background of the book and its author to save myself some effort (I'm writing this on Sunday evening and I've a bunch of shows recorded off the TV crying out to be watched). Even if you've not read the book, most people will know the title, made famous by the 1959 movie starring Charlton Heston. You know, the one with the chariot race.

It's a spectacular story and Ruggero Giovannini's artwork does great justice to it. Giovannini's probably better known in the UK as the artist of "Olac the Gladiator" in Tiger (1959-65, 1968-69) and for his adaptation of "The Three Musketeers" in Look and Learn (1967). "Ben-Hur" was originally published in Look and Learn in 1969, and I think Giovannini decided to pull out all of the stops for this, his last original work drawn for the UK. I hope you enjoy it as much as I do.

(* Ben Hur artwork © Look and Learn Ltd. Reprinted by permission.)

Sunday, November 08, 2009

Luan Ranzetta

The oddly named Luan Ranzetta was a pen-name used on a series of four science fiction novels published by Digit Books in 1962-64, all uniformly bad as SF and not especially good as novels. The SF Encyclopedia sums them up as "routine sf adventures, which focus on alien invasions and great disasters".

The author behind the name—Luan perhaps an anagram of Luna, which was thought to be suitably science fictional when coupled with the gutteral Ranzetta, which harks back to the days of ghastly SF pen-names Vektis Brack, Volsted Gridban and Vector Magroonhas never been revealed. The Ranzetta name--as V. Ranzetta--had been used previously on another Digit original, The Uncharted Planet (1961), which I don't have.

I was planning to use Luan Ranzetta as an example of an unsolved mystery... the pen-names, biographical and bibliographical details that have bugged me for years without any sign of resolution. Ranzetta is an example of the former. I picked up one of his books at the recent ABC Show and, discovering I now had all four, thought it might make for an entertaining cover gallery. As someone who is masochistically entertained by bad science fiction, I even started reading one of them. The Yellow Peril has come in for some stick elsewhere, notably in Neil Gaiman & Kim Newman's Ghastly Beyond Belief, which extracts a number of passages for mocking. One of my favourites occurs early in the novel where top space-ship pilots Barry and Paul are discussing the latest scientific discovery: the met boffins are, apparently "quite upset by the earth's behaviour". Barry "sobered instantly":
"... but you're right about the boffins. They say the earth is shrinking at the poles. That makes it feasible that it will bulge in the middle, doesn't it? I can't visualise how that affects us, but I do understand that it slows up the earth's revolutions. That could be important."
__Paul Duffy grinned. "Just shows you how much we depend on the Sun, doesn't it? Though last summer he must have taken his holidays the same time as I had mine!" He closed his eyes thoughtfully. "God! That camping business!"
From scientists (sorry, boffins) predicting the destruction of Earth to memories of a miserable camping trip in one easy paragraph. But even this kind of bad writing has a certain charm to it (well, I think it has charm) and makes you wonder if the author hasn't misremembered something he's heard about global warming and shrinking ice caps (and this way back in 1962).

All four books are as bad. The Maru Invasion, for instance, begins with two pilots struggling to get their rocket back to earth. We learn that they, Don Winters and Gavin Carter, have been involved in a secret project to drop off 100 men on an uncharted planet, Maru; now, returning to their home planet, the rocket 's systems have died. Despite promises from the boffins back home that nothing can go wrong, Don is worried that the rocket could continue its journey until the "super-fuel" runs out or the rocket's walls deteriorate and allow cosmic rays to penetrate. His solution to the problem:
"Gavin, old man. What about trying another look-see out of the window? Might be something new."
They reach Earth, parachuting out of the rocket to land on an atoll that appears to have suffered the effects of an atomic bomb blast. Eventually, Don discovers that the Maruans have invaded for that time-honoured reason: they need to steal some women:
"The Maruan women, for some time, had been given all the privileges of men. They were equal, they had the same rights. Of course they bore that children; that was the catch ... The women rebelled against what they called 'the servility of child-bearing'. It was a farcical situation, and executing them had not made matters any better..."
__"That's where you made you mistake, old boy! We've never let our women know that they were our equals!"
...says Don.
Before we descend completely into misogynistic claptrap, I will say that the paperbacks of the era were full of this kind of casual sexism, although few go quite as far as executing feminists. Actually, the book has lost its charm long before that point and starts to drag after the first 20 or so pages. But it does have a surprisingly down-beat ending for this kind of pulp writing; the books usually end with the hero and his girl looking forward to a bright future. In The Maru Invasion, it's as if the author suddenly remembered the cover and thought he'd better write in an explanation for it. Thus we have a silver alien spaceship approaching the hiding place of a small group of earthmen on the nuclear blasted surface of an atoll and Don's final words are: "Well, here they come, the bastards!"

Here are the covers and blurbs for all four of Luan Ranzetta's novels:

The Maru Invasion by Luan Ranzetta (Digit Books R606, Jul 1962)
He leapt back as a wide jet of crimson flame scorched forth from the blunt barrel, hitting Argos full in the face. There was a loud, inhuman scream. The others were transfixed with terror, but Don could take no chances and turned the gun on them as they stood there, eyes stark with fear. Flame belched again and they fell to the ground, their hands clawing at their faces and throats...
The World in Reverse by Luan Ranzetta (Digit Books R618, Sep 1962)
Lanny stood still, his eyes glued on that crumpled form by his feet. He wanted to run back downstairs, to safety and sanity, but he had to know what it was. He stopped to examine the upturned face and gasped, in horror, as the ghastly picture fixed itself in his mind...
__It was a woman. A woman with blonde, wavy, luxuriant hair. Hair that was matted with dark, red, glistening substance. Blood. Across the face which had once been beautiful, there ran a gaping wound, filled with congealed blood.
He put his hand out to turn the poor bruised head towards him, and, as he did so, the whole face seemed to slide sideways, as it it were some dreadful, artificial mask.
The Night of the Death Rain by Luan Ranzetta (Digit Books R717, Jun 1963)
The ominous, leaden sky brooded threateningly over the earth: the sultry heat became daily more stifling. What was the cause of these oppressive clouds which came ever closer and for which the scientists could hazard no explanation? Then it came, a blinding, havoc-wreaking death storm: relentless, tearing rain and the earth's surface gouged with craters, shattered beyond recognition...
__A small party of survivors find themsel
ves on an alien planet, hurled there by the cosmic force of the earth's upheaval. Can they ever escape from this bleak world with its stern silent inhabitants? Their plans are dependent on a second even more violent nuclear storm, and they are flung once more into a hostile universeto safety? or total destruction?
Yellow Inferno by Luan Ranzetta (Digit Book R836, Mar 1964)
A party of scientists have been sent on a mysterious journey to Tibet. None of them knows why.
__As they step from their space-ship none of them could be aware of the terrifying dangers that lay ahead.
__They must prevent the sinister Doctor Chung-Yin from carrying out his threat to destroy the entire Western World. Either they are successful, or they die a horrible death themselves.
As I mentioned above, I've been planning an occasional series on unresolved mysteries concerned with my research into old British paperbacks and Luan Ranzetta was going to be one of the subjects as I'd managed to pick up the set (I'm ignoring V. Ranzetta for the moment).

But after putting myself through speed-reading the four books, I had a feeling that I recognised the writing style. Now, I can't say this is the case with 100% certainty, but I'm pretty sure the four Luan Ranzetta books were all written by a guy called T. C. P. Webb
—Thomas Charles Packham Webb to give him his full name. Virtually unknown to anyone but the hardiest researcher, Webb was a very prolific writer of Westerns, with at least 90 novels to his name—or names, as he wrote under a variety of pseudonyms. In the mid-1960s, he had found a steady market for Westerns with John Grisham and Robert Hale, but I doubt even they could keep up with Webb's output, so a handful of novels for Digit Books could easily have come from his typewriter. Webb, incidentally, also wrote comic scripts for Micron's western libraries.

I don't know much about him: he was born in Stourbridge in 1908, began writing (to my knowledge) after the war and pounded out dozens of original stories for most of the cheap paperback publishers of the era. In the late 1950s and early 1960s, he was an editor at Brown Watson but probably left around 1963. He moved to Hove in around 1964/65 and was married in 1968 to the wonderfully named Kathleen Lady Maud Marge Viola Maxwell Bullen (nee MacIntosh) who had once been a singer under the name Billy Maxwell. In 1969 he was living in Kent and he died in Oxford in 1973.

So Luan Ranzetta is possibly now a resolved mystery.

Saturday, November 07, 2009

Comic Cuts - 7 November

Last Sunday's trip up to the ABC Show was the usual tale of travel woes—this time we ended up in Newbury Park via bus from Ingatestone; better than the show last March where we were diverted to Basildon, I guess, but still annoying when you've paid for a service that the railways just can't seem to provide.

That moan out of the way, the day was pretty good for everyone concerned. It was tipping it down when I arrived at the Royal National and there was some fear that it would put people off. Thankfully, the crowd that did turn up were spending like crazy, and I heard no complaints from the dealers.

I picked up a few odds and ends—nothing spectacular but a few items I thought looked interesting. I did finally find a copy of City of the Hidden Eyes, written by J. L. Morrissey, someone I'll revisit in one of these columns some day. Some of the other books are for columns yet to be written, so I'll leave those for now. But if I get time, I'll put together another paperback cover cavalcade column to show off some of the others.

Work is progressing on the Eagles Over the Western Front volumes. Mostly artwork cleaning, although that came to a grinding halt when my glasses broke (the tiny little screw holding the glass in place, this time, rather than the arm falling off, just for variation). I've a second pair, but they're for travel rather than reading, so not much help with close-up work. I did learn at the show of another two pages of original Eagles artwork that have survived the years, so we're now up to 57 pages that will be reproduced from Bill Lacey's original drawings.

That's about it for news. With 223 pages to scan and clean up, plus 55 pages of original artwork to sort out, I've not had much time for anything else. Most of volume 1 is done but that still leaves volume 2. Incidentally, I hope people who have been following the strip noticed the vast improvement of the episodes published during the week. I'm now working from my own scans which are a lot better than the rough scans I was previously posting.

Talking of strips to be posted, next week we begin something of an epic: Ruggero Giovannini's interpretation of Ben Hur. In colour. I thought it would make a nice change from the black & white strips I've been running for some months.

Peter Edgar

Cities of the Dead is a novel of the future, but the message it holds could apply equally well to the present day. A series of nuclear tests in the Pacific Ocean have affected certain species of sea creatures, with the result that they grow to more than ten times their original size. People living on the western seaboard of America are terrorised by these hideous leviathan-like monsters and a group of scientists are dispatched to the area to exterminate this menace to civilisation.
Although credited to Peter Edgar, Cities of the Dead was the debut novel of Peter King-Scott, an engineer by profession. Born Peter Edgar King Scott on 8 September 1918, he officially changed his name to King-Scott in 1943. He served as a Captain with the Worcestershire Regiment and as an intelligence officer during the war and returned to industry in 1946, later becoming a full-time lecturer in engineering and management subjects. In partnership with his wife, Margaret P. (nee Stonham), he also ran a small management-consultancy business.

King-Scott died in Portsmouth, Hampshire, in 1993, aged 74.

Non-fiction
Industrial Management. London, Pitman, 1966.
Industrial Supervision. London, Pitman, 1969.
Production Control for Supervisors. London, Collins, 1971.
The Institution of Industrial Managers: A History 1931-1991. London, Institution of Industrial Managers, 1991.

Novels as Peter Edgar
Cities of the Dead. London, Digit Books, 1963.

Friday, November 06, 2009

The Best of Battle

It's hard for me to believe that Battle Picture Weekly first debuted almost 35 years ago. To me it still feels like something that happened, if not the other day, at least fairly recently. It wasn't until the early '80s that I became a regular reader after I rediscovered comics following a roughly seven year gap (although, as I've said many time before in these columns, I never really gave up because there was always some comic—Top Secret Picture Library, Starblazer, etc.—that I was buying). Battle I caught up with via a massive boot fair find and it was an incredible thrill to be reunited with some of my favourite artists doing some of the best work they'd ever done: Mike Western on "Darkie's Mob", "The Sarge" and "HMS Nightshade", Eric Bradbury on "Joe Two Beans" and "Crazy Keller", and Joe Colquhoun on "Johnny Red" and "Charley's War". And there was a ton of other stories that I found incredibly gripping as I read through episode after episode: the Mike Nelson stories ("Day of the Eagle", "Death's Head Dossier", etc.), "Major Eazy", "Fighting Mann", "Deathsquad", "Clash of the Guards", and many others. Gaps in the run were cursed soundly because I didn't want to miss a beat.

The Best of Battle selects 18 strips from Battle's heyday, the late 1970s. The format—extracting four or five episodes from strips that sometimes ran for years—can be a little frustrating, although at least with extracts of 12 to 15 pages you get more out of the stories than in the recent Best of Battle special released by Egmont. It's still only a sampler for the books we all actually want, but it's at least a substantial sample.

Favourites... that's a tricky one. I've already nailed my colours to the mast by telling you the names of some of my favourite artists and, inevitably, that colours my appreciation of some strips, but I don't think anyone is going to deny the quality of John Wagner's writing on "Darkie's Mob" or "Joe Two Beans", or Pat Mills's on "Charley's War". Eleven of the eighteen strips on display here were written by Gerry Finley-Day and Alan Hebden (with two more by Eric Hebden), which is an astonishing hit rate as there isn't a duff story on display here. I've always had a soft spot for the Mike Nelson yarns (beautifully drawn by Pat Wright) and I'd forgotten how good "Fighting Mann" was—and how good Cam Kennedy's black & white art was.

The simplified credits given in the book mean that one or two writers and artists don't get a mention: the first episode of "D-Day Dawson" was drawn by Annibale Casabianca, the second, third and fourth reprinted here were by Geoff Campion and only the fifth was drawn by the credited artist, Colin Page; three of the five were written by Wagner/Mills rather than the credited Gerry Finley-Day. But the occasional glitch is to be expected in any book.

Instead, let's concentrate on the positives: the reproduction is uniformly superb and the flexiback format means you can get over 280 pages for a knock-down £9.99. As a sampler of one of Britain's best war comics, you couldn't ask for better... except for full reprints, and some of those are definitely on the way.

The Best of Battle: Volume 1. Titan Books ISBN 978-1848560253, 25 September 2009.

(* Artwork © Egmont UK Ltd.)

Thursday, November 05, 2009

Eagles Over the Western Front part 73

(* Eagles Over the Western Front © Look and Learn Ltd. Reprinted by permission.)

Wednesday, November 04, 2009

Eagles Over the Western Front part 72

(* Eagles Over the Western Front © Look and Learn Ltd. Reprinted by permission.)

Tuesday, November 03, 2009

Eagles Over the Western Front part 71

(* Eagles Over the Western Front © Look and Learn Ltd. Reprinted by permission.)

Monday, November 02, 2009

Comic Cuts: Upcoming Releases

October 2009. A round-up of forthcoming books relating to or reprinting British comics and cartoons, along with some selected original graphic novels.

NOVEMBER 2009DECEMBER 2009
JANUARY 2010
FEBRUARY 2010
MARCH 2010
APRIL 2010
MAY 2010
JUNE 2010
  • Darkie's Mob by John Wagner & Mike Western. Titan Books ISBN 978-1848564428, Spring/Summer 2010 [originally announced for 27 November 2009].
  • A Midsummer Night's Dream by John McDonald & Kat Nicholson/Jason Cardy. Classical Comics, June 2010.
JULY 2010
AUGUST 2010
SEPTEMBER 2010
OCTOBER 2010
  • The Best of Misty. Titan Books ISBN 978-1848560277, October 2010.
  • The Importance of Being Ernest by John Stokes. Classical Comics, October 2010.
NOVEMBER 2010
LATE 2010
  • Richard III (Original Text, abridged). Classical Comics ISBN 978-1906332228, 14 May 2010 [originally announced for 1 March 2009, then 1 September 2009].
  • Richard III (Plain Text). Classical Comics ISBN 978-1906332235, 14 May 2010 [originally announced for 1 March 2009, then 1 September 2009].
  • Richard III (Quick Text). Classical Comics ISBN 978-1906332242, 14 May 2010 [originally announced for 1 March 2009, then 1 September 2009].
UNSCHEDULEDPlease note: All dates are subject to change.

Sunday, November 01, 2009

Comic Cuts: Recent Releases

Here's a round up of recently released titles reprinting or relating to British comics. Some title announced for publication in the past few months have been delayed; these titles can be found on the Upcoming Releases listing.

Star ratings are from Amazon.co.uk where books have been reviewed.

OCTOBER 2009SEPTEMBER 2009
AUGUST 2009JULY 2009JUNE 2009
MAY 2009APRIL 2009
MARCH 2009
FEBRUARY 2009
JANUARY 2009